Been a little lax on the blogging these last few weeks. Here are some memories from a wonderful Easter dinner with the Provs. It was such a warm, beautiful day, and you can’t go too far wrong with a spiral cut ham…
Happy Zombie Jesus Day
I really tried to come up with a way to turn “pride” into “parade” because then I could do something with “Easter Parade.” And with those oh-so-fabulous ears, I’ve got Pride in there too! Maybe it’s how Paula Deen pronounces both pride and parade, puh-ride?
But I couldn’t find it, the elusive thread to tie it all together. I still think it’s out there, and if I could call the Daily Show writers maybe we could find it together. What a proud moment if we caught that meme, the kind of wordplay to bring the whole post back to life, worthy of celebrating with a ticker tape…
Or else the joke wouldn’t work, it might really lay a big multicolored egg.
It takes all kinds
to run a psych hospital.
In our evening perambulations, we encountered a pair of people from Lee’s (former) work in wildly different contexts.

These skateboards are named for Scotty Cavell Dixon, who’s a nurse when he’s not skating the giant ramp he made inside his house.

And hidden back there on drums is Mike C, playing old-school punk rock with Zombie Beatdown. We listened to a few songs on the way home from elegant locavore dinner at TJ Buckley. The contrast between the two vibes, just a hundred or so yards apart, was almost too much.
It’s a very cool thing to have this town be the way it is and for all these people to be out there doing all their thangs all over the place. We will miss it if, say, we ever move to New Zealand or something.
Slurry with the fringe on top

The other evening we heard a train approaching, and we both commented that it sounded different than the usual freighter that passes by… quieter, smoother. At first, we figured the sound was carrying differently due to the blanket of heavy, wet snow that we got as an April Fools Day present. But no, the locomotives were also different than the usual creaky New England Central engines we usually see.
The whole train was comprised of these white tanker cars, and they are all labeled “Limestone Slurry.” Lee said she had noticed something similar the day before but hadn’t thought anything of it. Well, well, we say to ourselves, why are trainloads of limestone slurry heading south all of a sudden?
It turns out that limestone slurry is primarily used to clean the emissions from coal power plants, which incidentally creates gypsum to be used in drywall manufacture.
Without actually knowing anything, I don’t know whether this represents a good thing or a bad thing… cleaner coal is good, but all coal is bad. Drywall seems basically good. Activity on our local rail lines seems basically good.
But prescience is unequivocally good, like flying or becoming invisible. Two of my recent “Trade Unionists for Trump” posts specifically call out slurry and locomotives. So, if anybody needs a stock pick or a lottery number, hit me up, just sayin’…
Kim and Bill’s Excellent Adventure
We’re in Houston for an interview, which gives us an unexpected chance for a little family visit.

On Saturday night, Brother Frank (there’s also an Uncle Frank, and somehow Brother Frank has always rolled easily off this only child’s tongue) surprised us with tickets to a jazz event. It was put on by Kim Prevost and Bill Solley, a couple he’s seen play lots of times and knows through a network of mutual friends.
Things started off with us having to find Lucky Run recording studio, around back in a building even a Realtor would describe as gray, anonymous and industrial.

But once we got inside, it started to look more like I expected… framed records on the wall, lots of name-checking (Solange! Lady Gaga!), and a young man behind the desk who clearly had other things to do.

I said ‘event’ on purpose, because this was a hybrid of concert and recording session. As VIP ticket holders, we got to sit in the master control room. Each musician was in a separate room (though all could see each other through windows). Here’s Bill in his room on the left, then Kim, then the background singers.

Drums, bass, and two keyboardists were off to the right. Because of that setup, each musician could be on their own track (or tracks: the drum kit had eight), while listening to while on headphones.
We got running commentary from the engineer, which was really interesting and all new to me. Most of the time he was just letting it run, but occasionally he would fiddle with something. He would turn players on and off on our monitors to explain how a recording gets made and edited. Lots of dials and switches.


Kim and Bill are from New Orleans, part of the great post-Katrina diaspora like Brattleboro’s own Samirah Evans (they’ve been on multiple festivals together back in the day). The music was great, soulful and jazzy, and complex enough to listen to way more than once. They did two complete shows, and will produce a DVD of the session and a fully edited recording.
Maybe this is a new performance concept or maybe not… but it was new to me. I thought it was a really cool way for them to pay for some studio time while cultivating a much deeper audience connection than in a regular lounge setting.
Thanks, Brother Frank!
Stella by Starlight
Followed immediately by A Sunday Kind of Love. With these historic chansons, my clarinet “playing out” cherry has been popped.
For the last few months I’ve been going sporadically to the Wednesday night open jam at the Vermont Jazz Center, trying to follow along in my own score. Last night I actually got the horn out of the case… and got up… and played a few numbers.
Astoundingly… I didn’t die! I mean, most fourth-graders could’ve done better, but in terms of actually physically dying, it didn’t happen. I hit more notes than I missed, and only squeaked a few times. I hit the pickup notes on Sunday Kind of Love sweet and clear, all by myself. I solo’ed.
There’s a whole A&E documentary series to be made about these Wednesday sessions and the people who show up. From working professional jazz men to the busboy at my local bar to the girl singer (sorry, my language-correct sisters… in this world you’re a girl singer until you’ve got grandkids and rehab on your CV) (and maybe more) whose pure voice seems ripe for coaching and more practice, everybody plays as well as they play, they all figure out each week how to make the available instruments work together, and they all have a good time doing it.
My debut was recognized warmly, particularly by the pianist, a retired psychotherapist, and so perhaps especially empathetic to my abject terror. This is an overtly, intentionally supportive environment, and I needed every bit of that support. Maybe it’s better to say they didn’t let me die, and thank you for that.
Whew! What a rush. Having now tasted the limelight… I’ll be back.
The Emblem Museum
We went for an afternoon walk about town yesterday and chanced on a signboard that read “Emblem Museum.” Ok, I’ll bite…

It’s upstairs near Bhava Yoga on Elliot Street, and a beautiful space. It’s really two rooms full of paintings, which take their inspiration from Ethiopian scrolls and a Victorian travel book found in an attic.

Julia Zanes, the artist and proprietor, greeted us warmly. We learned that ‘museum’ might not be quite the right word, but ‘gallery’ sounded too commercial. She explained both the creative and physical processes behind the painting series, which resonated with me… finding this this old F. Hopkinson Smith book in the attic of her new home, connecting somehow with these old scrolls, hanging out with someone who just happens to do gold leaf… and a few hundred hours later you have Art. And art we liked, it would look good in this house.

As a side project she makes puppets and does puppetry, because why not, and hopes to put on shows for kids, but maybe with less disturbing puppets, so they don’t cry. Good idea, but as grown ups we thought the creepy puppets were really cool. And also creepy.
Can Brattleboro support another somewhat esoteric gallery/museum? One is hopeful, but… I’m glad we got to see it and meet her now.
The protests will continue until the world gets better
Back in Brattleboro, the usual suspects gathered on March 11 to commemorate the sixth anniversary of the Fukushima earthquake, tsunami and subsequent nuclear plant meltdown.
In today’s newspaper there’s a story that the Vernon, VT library will lose one of its staff due to budget cuts stemming directly from the closure of the nearby nuclear plant.
It’s an unknowably complicated, interdependent world, and we as individuals don’t have a lot of control over the forces that make it work. So, standing on the street with a sign and some like-minded comrades is probably about as good as anything. Butterfly wings, hurricanes, etc.
Cat yoga
Those who cannot remember the past…
…are doomed to repeat it.
Today’s episode of “Down the Rabbit Hole” started innocently enough with one of those breakfast-table musings: if “salting the earth” is a bad thing, then why is “salt of the earth” a compliment?
Luckily, this sort of question is why they invented the Internet… We now know that salting the earth was a medieval ritualistic practice for cursing conquered cities and such like (but never actually resulted in fields wrecked with salt). And, conveniently, right there at the top of the Wikipedia page is a reference to their Salt of the Earth article.
Here’s where it gets interesting… there’s not just one, but a whole collection of Salt of the Earth articles. The sense I was looking for is the sense of “a thoroughly decent person,” which is easily found in dictionary definitions, but doesn’t have its own Wikipedia article. There is mention in all those definitions that the phrase comes from the Bible (Matthew 5:13). However, after reading the rest of that verse and a couple of commentaries, I’m more confused than ever… the whole warning about the salt losing its saltiness and becoming useless seems like a pretty anxiety-inducing state for all these good, decent people to have to live in.
I’m not much for trying to make sense of the Bible, and my initial breakfast curiosity was satisfied: the two phrases with “salt” and “earth” don’t have anything obviously to do with each other, and since they mean different things, that is as it should be, and all is right with the world. Language is fun.
But breakfast itself wasn’t over, and so I had a moment to look at some of the other Wikipedia entries for “Salt of the Earth.” My eye was drawn to the Salt of the Earth Strike, better known as the Empire Zinc Strike. Ah-ha, there’s your rabbit hole, let’s see what’s down there.
Here’s the salient points: In 1950, Silver City, NM, a bunch of miners went on strike seeking better treatment in general and specifically greater parity in the wages and benefits of Mexican and Mexican-American miners as compared to their white colleagues. They were led by charismatic activist Clinton Jencks, quite an interesting character in his own right. The strike was a big deal at the time, there was violence and treachery, but on January 21, 1952 the company agreed to settle and the miners got almost everything they were asking for.
It was common to condemn people at that time by calling them Communists , and the label could be devastating for your career, even your safety. Jencks himself was blacklisted and couldn’t find work as a miner any longer. But he was buoyed by the creation of a film about the strike, put together by some blacklisted Hollywood types. He eventually went back to school, got a PhD and taught history in San Diego for the rest of his life. Happy ending.
Regular readers will have noticed the new weekly series of “Trade Unionists for Trump” posts. The idea is that the very thought of any self-respecting trade unionist being pro-Trump is ridiculous to me, so I’ve invented silly unions to come up with their own self-serving takes on “MAGA.” Since I started posting those, we’ve seen the President appoint a Cabinet of The Man and systematically begin to dismantle a lot of the things that the trade unions won in the 20th century. The promise of higher wages for native-born Americans in steel, coal, and construction jobs is seen as more appealing, more important, than the promise of a clean environment, a safe workplace, an inclusive society, and anything remotely to do with the next wave of technology-driven work. If Trump succeeds, we can look forward to kicking the ass of 1960s-era China.
The opening quote from George Santayana (and no, it wasn’t Churchill) is bandied about a lot these past 40 days or so. Here’s a take on that same idea that might help the Resistance find its footing and avoids comparing Trump to Hitler (because while it might be true in some senses, the comparison doesn’t really rally me… Hitler did rise to power, and he did do all those things, and we want to try and get ahead of it this time. Let’s look for a FAILED autocrat, and focus on making Trump into that guy.). If we do manage to remember the past, and why not start with the trade unions, maybe we can find the courage to recreate some amazing and positive aspects of that past. Maybe we can find a way for all those disaffected salt of the earth types to get un-disaffected by figuring out what they really want and helping them get it. Right now, I interpret the Trump voter as essentially saying that black lung disease is better than opioid addiction, and I hope we can find a third option. Maybe we can move beyond MAGA and “America First” to some kind of slogan that lets us all breathe more freely, sleep better at night, live better in this century, and somehow avoid blowing ourselves up.








