A windshield, a lattice fence
And then a sunrise
In which we find ourselves in another part of the world

We found this particularly enigmatic note on the base of a lamppost the other evening. I’m convinced it’s an omen… my life has had more than the usual share of buffets, and now is about to acquire another.
Way way long ago, one of the first pieces of grownup furniture I ever bought was a mahogany buffet in an 18th century style. It was painted white at the time, and I got it for what seemed like a song. We kept it through several moves, eventually refinished it (so-so results) (don’t use a pressure washer), and finally traded it for a smaller hutch when we moved to a more constrained house in Alameda.
Under circumstances I don’t exactly remember, we acquired a print by depressive French artist Bernard Buffet, and then another and another.
Now, as it happens, I’m in the market for a clarinet, and it turns out that one of the brands to consider is a Buffet (actually it’s Buffet Crampon, but that sounds even less sexy in English than in its native French). Buffet clarinets are well-respected, but – new or used – they ain’t cheap, and so I’ve been hesitating… could a Yamaha or even some lesser marque sound as good for half the price?
The answer to that question is probably yes… especially in my inexperienced hand. But then again, if a man my age suddenly picks up the clarinet in the first place, surely it’s as much about the romance as the waveforms? Paris café bands in the 20s and 30s were playing Buffets, so why in the world wouldn’t I do the same?!
The universe has spoken!
Now –
How??
Wow.

On a recommendation from the guys at last Wednesda’s open jam at the VT Jazz Center, we went to Samirah Evans‘s autobiographical show last Friday at the library.
So how did a New Orleans jazz singer end up in Brattleboro? I appreciate a long story, and she told us one, but I’ll cut to the chase. She was flooded out by Hurricane Katrina.
Accompanied by piano and bass as she was, it might have been a nice evening of music, perhaps a little too low-key and heavy on the slow songs. The comically white, sporadically arrhythmic, but earnestly well-intentioned backup singers lent a whiff of farce.
Unfortunately, I thought the sharing of her personal stories went a bit far… more than I needed to know, and, I suppose like anybody’s unembellished personal story, without any discernible point or lesson. Good shit happens, and bad shit, and unexpected shit.
Someday I will go to a regular Samirah show for drinking and dancing, and I think it will be more fun.
Last week I took a lunchtime walk around Hartford, enjoying one of the few remaining warm fall days. It was drizzling, but still.
I crossed the tracks, literally and figuratively, into some neighborhoods I’d never been in. As we passed on the sidewalk, a young man admonished me “Don’t nobody need to be knowin your business.”
I headed down Asylum Street toward an area dominated by old insurance company buildings and an improbable collection of churches. There’s a multi-part installation of rocks with etched poems that contributed to the meditative and melancholy feeling.

A statue honoring the American School for the Deaf, and Thomas Hopkins Gallaudet. I stayed at Gallaudet University a while back for a meeting.

The striking, ugly St. Joseph’s Cathedral. I went inside, and there’s lots of nice stained glass, but it still felt like a tomb.