On Friday the Falun Gong people were out silently protesting their fellows’ persecution back in China. I was instantly beset with a welter of conflicting thoughts…
- Good to be in a place where people can feel safe enough to protest in public like that
- Why in the world would China feel a need to persecute people for doing their little morning exercises… there must be more to the story
- But my notion of freedom seems to not quite apply in China. And their brand of society seems to be pretty amazingly successful these days.
- Forced organ harvesting? Really? In the hundreds of thousands? Really? Wouldn’t we have heard more?
- Or not… can we trust the media to report on the important issues?
- Yeah, actually, I think we can, more or less
- So, good luck with your protest, I hope you find happiness somehow.
You couldn’t make this shit up… how wonderfully ridiculously variegated grows our world.
Beyond the plaque, there’s a bit more to the story here.
Walking along over the weekend, we came across this scene involving a big machine ripping the front off a building (already under some kind of re/construction), and a very large contingent of emergency personnel. The scene was apparently unfolding just then, so we stopped to gawk. We saw some wisps of smoke, but it could have just been construction dust.
One of the other gawkers was a big guy in a security guard uniform, and we got to chatting. He was from South Africa, been here about 8 years. He couldn’t say enough good about NZ, what a great place to raise his boys, how honest the police are, great people all over, and so on.
Nothing dramatic happened across the street, so we took our leave and went on, smiling.
Another Hartford gem.
I didn’t know about this guy until walking by the plaque last night after work. What a great epitaph.
We went for an afternoon walk about town yesterday and chanced on a signboard that read “Emblem Museum.” Ok, I’ll bite…
It’s upstairs near Bhava Yoga on Elliot Street, and a beautiful space. It’s really two rooms full of paintings, which take their inspiration from Ethiopian scrolls and a Victorian travel book found in an attic.
Julia Zanes, the artist and proprietor, greeted us warmly. We learned that ‘museum’ might not be quite the right word, but ‘gallery’ sounded too commercial. She explained both the creative and physical processes behind the painting series, which resonated with me… finding this this old F. Hopkinson Smith book in the attic of her new home, connecting somehow with these old scrolls, hanging out with someone who just happens to do gold leaf… and a few hundred hours later you have Art. And art we liked, it would look good in this house.
As a side project she makes puppets and does puppetry, because why not, and hopes to put on shows for kids, but maybe with less disturbing puppets, so they don’t cry. Good idea, but as grown ups we thought the creepy puppets were really cool. And also creepy.
Can Brattleboro support another somewhat esoteric gallery/museum? One is hopeful, but… I’m glad we got to see it and meet her now.
I was glad to see this interview with Kinstler flash across my news feed the other day.
I heard him speak at the Mark Twain Library in Redding, CT a dozen or so years ago, and got a couple signed copies of his book of portraits. Since then, it’s been fun to see some of his works around New York and DC.
We found this particularly enigmatic note on the base of a lamppost the other evening. I’m convinced it’s an omen… my life has had more than the usual share of buffets, and now is about to acquire another.
Way way long ago, one of the first pieces of grownup furniture I ever bought was a mahogany buffet in an 18th century style. It was painted white at the time, and I got it for what seemed like a song. We kept it through several moves, eventually refinished it (so-so results) (don’t use a pressure washer), and finally traded it for a smaller hutch when we moved to a more constrained house in Alameda.
Under circumstances I don’t exactly remember, we acquired a print by depressive French artist Bernard Buffet, and then another and another.
Now, as it happens, I’m in the market for a clarinet, and it turns out that one of the brands to consider is a Buffet (actually it’s Buffet Crampon, but that sounds even less sexy in English than in its native French). Buffet clarinets are well-respected, but – new or used – they ain’t cheap, and so I’ve been hesitating… could a Yamaha or even some lesser marque sound as good for half the price?
The answer to that question is probably yes… especially in my inexperienced hand. But then again, if a man my age suddenly picks up the clarinet in the first place, surely it’s as much about the romance as the waveforms? Paris café bands in the 20s and 30s were playing Buffets, so why in the world wouldn’t I do the same?!
The universe has spoken!